Showing posts with label teaching facilitation. Show all posts
Showing posts with label teaching facilitation. Show all posts

Sunday, June 11, 2017

Watching Acorns Sprout from My Oak Tree

Last week I got an email from my good friend María, who related an inquiry she'd received from a former client that we'd both worked with, asking for help in navigating tension that's tearing up a key committee.

My initial, knee-jerk response was, "Why didn't they ask me?" But after about 10 seconds of licking my ego, it occurred to me that a good thing had happened. A protégé was getting professional respect.

Even if you set aside my recent bout with cancer (and its dramatic reminder of my mortality) I was never going to live forever. So what could be better than to remain in the saddle long enough to start seeing my students blossom as process professionals? Now they're even taking work away from me! 

There are a number of factors that enter into this equation:

• Clients prefer to hire locally. If nothing else, it contains travel costs (for which clients are on the hook), and if they're really close, the consultant may sleep at home and commute to the job. Living in Duluth I'm hardly local to anyone.

• Mostly my students are more moderately priced than me, and clients need to count beans just like everyone else. If you don't need the high-priced spread, why pay more? 

• When I started working professionally (30 years ago), almost no one hung out a shingle as a process consultant. Today there's much more demand, and it's growing. Because I lived in an income-sharing community for the bulk of my career, I didn't need a lot of money, but I realized early on that as a market maker in a burgeoning field I could have an impact on the value people placed on process consulting. 

Living in community in rural northeast MO my cost of living was minuscule; consultants living alone near major cities need to make much more. With that in mind I gradually moved my prices up over the years, so that those following in my wake could make a decent living.

In addition, higher rates afforded me the flexibility to bring in aspiring students as apprentices. Without asking the client to pay more, I could share some of my income and give them valuable exposure (why would you hire someone who has no résumé?). I didn't have that kind of help when I started out, and I wanted my students to have an easier entrée into the field.

• How much work do I need anyway? Even though I no longer keep my foot tromped on the gas, I am getting work in proportion to my need for income, and my desire to be of service. Mostly I slant things toward teaching and coaching these days, but I still get calls—especially from old clients, and from new ones with a five-alarm fire to put out.

All together I'm getting 1-2 jobs per month and that's plenty. There's no point in coveting my students' work into the bargain. Besides, I'd like to narrow my focus to those aspects of group dynamics that are most pivotal and most complex.

As an example, three weeks ago I attended the national cohousing conference in Nashville TN. Among other things I teamed up with Joe Cole (another protégé) to conduct an all-day facilitation workshop. I let Joe cover the basics, while I focused on the parts that grab me most: those brief moments in meetings when what the facilitator does can make the most difference: when the magic can emerge. In a typical meeting there are only 2-3 of those.

Here's an outline of what I consider to be key leverage points for facilitators:

A. Riding Two Horses 
Being able to managing both content and energy, and knowing which to focus on in the moment. You also need to know when to slow down and when you can speed up; and you need to be able to tell when an agreement is in the room (and how to lasso it before it escapes).

B. How to Work an Issue  

There are three key aspects to this:

Clearing the air

While this step is not always needed, when there is nontrivial distress related to the topic you should always start by naming it. If you skip this step all subsequent work will be prone to brittleness and poor buy-in. Doing this means making room to hear upset (that means focusing on emotions), and finding out what it means.

—Identifying factors to take into account

This entails determining what a good response will need to take into account before you entertain suggestions about what to do. It's OK to make room for advocacy at this stage (though you shouldn't need to hear it more than once).

Problem solving

Which approach does the best job of balancing what needs to be taken into account? The time for advocacy has now passed; at this stage you're looking for bridging.

Note: The container that the facilitator needs to establish for each of these steps is very different and the order is crucial.

C. Right Relationship Between Plenary and Committee

There are several parts to this:

o  Only dealing with plenary worthy considerations in plenary

o  Having the discipline to stay on topic and not drift into a level of detail below plenary worthiness

o  Developing and using a template for establishing comprehensive committee mandates

o  Creating a thoughtful method for filling committee and manager slots

o  Establishing the habit of rigorously evaluating committees and managers

D. Getting All the Product in the Room

Many groups fail to see the forest for the trees, and allow conversations to end without connecting all the dots, thereby squandering some of the concentrated work. Agreements that are not captured in the moment are lost, and must be rebuilt another time. Very wasteful.

To accomplish this the facilitator must be able to see how things look from the prospective of each participant, and have a feel for what everyone can say "yes" to.

E. Managing Your Nightmares

While no one is perfect, to be an excellent facilitator you need to know what you don't know, and where your blind spots are. 

What personalities drive you crazy?

How are you triggering for others?

—Can you manage your reactivity?

F. Can You Handle Failing in Public?

No matter how accomplished you are, no one succeeds all the time. When you have a bad moment as facilitator, however, your failure can be spectacular. Can you pick yourself up off the floor and get back on the horse? Hint: If you need to succeed every time, quit now.

G. Getting Help

—Inviting critical feedback about how you're facilitating (Hint: If you get defensive, the feedback does no good).

—Bringing the pool of facilitators together to help plan and debrief meetings
 

—Identifying area facilitators who can help your group when you need outside neutrality.

—Making a commitment to training, which means both time and money. Hint: Learning by osmosis alone is not enough.

Monday, September 28, 2015

Effective Pedagogy

I've been offering a two-year facilitation training the last 12 years (eight three-day weekends spaced approximately three months apart). I've delivered this course eight times in its entirety and I'm on the front end of three more rounds—one each in New England (the first weekend was Sept 10-13), Portland OR (the first weekend is scheduled for Dec 3-6), and North Carolina (the first weekend is slated for Jan 14-17).

In addition to this, I've been busy training my successors in administrative work for the Fellowship for Intentional Community, which roles I'll be handing over by the end of the year. 

Taken all together, I've become obsessed with what constitutes effective teaching.

One Size Does Not Fit All
People have widely different learning styles. Taking that into account means creating multiple on-ramps to learning. (The default approach for most of us is to offer a lesson in the way we like to learn, and it is only a coincidence when that works well for the student.)

o  Some like to see the instructor ride a bucking bronco once and then be given a chance to get on the horse themselves. Learning for them is mostly experiential.

o  Some need to thoroughly understand the theory and rationale for what the teacher is offering. They will not be comfortable attempting to execute the technique until they "get it" in their head first.

o  Some need to watch a thing multiple times, in a variety of situations, before their body can assimilate the lesson to the point where they're willing to test drive the model. 

o  Some prefer that the various steps involved in execution be broken down into discrete micro-lessons, and they won't be comfortable trying to put it all together until they've had a chance to take the engine apat and put it all back together.

In addition to the above, people tend to sort into three kinds of primary learning styles: aural, (which I am), visual, and kinesthetic. So teachers are challenged to provide the same information through different modes of presentations.

But it's worse than that.

When the Spirit Is Strong But the Flesh Is Weak
In addition to student learning preferences, the savvy teacher needs to be aware of trigger points, style preferences, and blind spots—both on the part of the student and the teacher.

—Trigger points
This could be specific (as in the teacher reminding the student of their mother, who they detest) or generic (I'm suspicious of being taught by someone steeped in privilege: for example, an older, straight, well-educated white male—like me).

The question of privilege gets pretty interesting. How much is being projected onto the teacher; and how much does the teacher have a blind spot? There is always a power gradient between teacher and student; to what extent is that healthy and appropriate (based on the teacher's expertise) and to what extent is it amplified in an unhelpful way (based on privilege)? As far as I'm concerned it is on the teacher (as the person in the superior power position) to develop sensitivity to this possibility and make room for the examination.

Going the other way, the student could remind the teacher of someone with whom they have unresolved tensions, or the student could have a personality that is grating for the teacher (whiny and timid drives me bananas).

In all of these cases, the instructor needs to be able to see what's happening and offer adjustments. While that doesn't guarantee success—all possible dyads are not meant to work together—it's on the teacher to take the initiative.

—Style preferences
This is mostly a diversity issue. Naturally enough, teachers tend to instruct in their own style. But that may not match up well with the student's open portals for receiving lessons.

This can be about pace, volume, degree of passion, mode of transmission (intellectual, emotional, body-centered, spiritual, intuitive), stamina, range (variety of delivery), and vocabulary. Is the teaching didactic, story-based, or experienced-based? There are a lot of choices, and none is a best practice; you have to adapt to your students.

—Blind spots 
All of us have tendencies (perhaps to teach through role plays instead of lectures, or to see the right side of the room better than the left). Because I'm primarily an aural learner, I've had to train myself to think in terms of developing visual aids in support of what I'm teaching—it doesn't come naturally to me.

While some blind spots can be overcome (such as my developing visual teaching aids), the most important thing is to learn what they are and to be open to having it pointed out when they come up. This is about working to keep clear feedback channels. 

When you discover a blind spot in a student, the inspired teacher sees it as an opportunity. To what extent is the student aware of it? Are they willing to talk about it (alone or in the class)? Are they open to working on it with you (if so, with what parameters)?

• • •
Once you start delving into the wonderful and multi-faceted world of teaching, you have to shake your head at how little teachers are paid and respected in our culture. We'd rather venerate lawyers and business tycoons. What a country.

Friday, December 16, 2011

The Facilitator's Magic Eye

When I first began
To cut up oxen

I would see before me

The whole ox

All in one mass.

After three years

I no longer saw this mass,
I saw the distinctions…


—excerpted from Cutting Up an Ox, an ancient Taoist poem

• • •
I am the Sandhill butcher.

While many others in my community share in the work of this quintessential homesteading task, I enjoy it. Though I am not a hunter, I approach cutting up carcasses and preserving meat with considerable care and respect for the animals whose lives have been taken to sustain mine. Butchering has become part of my sacred relationship to food.

It has taken me a while to embrace the identity of butcher, in part because one meaning of the term is to do a job badly, or clumsily. Another is to kill indiscriminately, or brutally. While not wanting to be associated with either of those flavors of the term, there is yet a third meaning, which is honorable—or at least has the chance to be. A good butcher is one who is thrifty and skilled in the craft of transforming animals into food. Better yet, a good butcher is one who wastes little, operates humanely, and works in right relationship with the universe.

I recall when I first encountered this more noble sense of "butcher" employed outside the confines of the abattoir…

About 30 years ago, when I was teaching myself how to make insulated glass windows (is there no end to the ways in which youth will carelessly throw labor at the fortified walls of a tight budget, in the hopes of saving pennies?) we bought supplies from a New England company called Wood Butchers. I was immediately struck by the name. Surely they weren't implying that that they sold the tools of wanton woodworking, were they?

Indeed, "wood butcher" is an old term for carpenter, and meant as a label of respect for a craft. The meaning here runs parallel to that of meat butcher, and thus began the rehabilitation of the term in my consciousness.

Today, I happily consider myself an amateur meat butcher, as well as an amateur wood butcher. Taking this one step further, I am also a meeting butcher. As a professional facilitator, I am fully skilled in the dissection of meeting dynamics. When I am at my best, there is little waste and I am able to transform
logjams into flow, chaos into agreement, and disharmony into music. It is an art. While learnable, not everyone is willing to put in the effort.

As it was for the butcher referenced in the opening poem, one of my main challenges as a facilitation teacher is getting students to experience the unfolding of a meeting and seeing the underlying distinctions. What at first seems an overwhelming tangle of disparate viewpoints and discordant feelings, can instead be viewed as a montage of patterns, of which there are a limited number.

One of the main reasons that I am valuable as an outside facilitator is not inherent skill; rather, it's that I have spent many hours in the butcher shop and bring with me a wide pattern library. Today, it's hard to show me something I've never seen before. While the details are undoubtedly unique to the current manifestation, the applicable patterns are not. By breaking down the dynamic into its characteristic components, complex and/or volatile issues become more tractable, less daunting.

After conducting more than 40 facilitation training weekends over the last eight years, I've come to appreciate much better what it is I've learned to do as a professional facilitator (there is nothing quite like attempting to teach a thing to expose the gaps in how well you understand it). Over and over I am in the position of watching a live meeting with my students, detecting patterns, and then observing how long it takes for the students to see the same thing.

While a portion of the teaching is breaking things down into primary questions (what are the themes in the conversation; is the energy rising or falling; what questions remain to be addressed; how well are people hearing each other; to what extent are people feeling heard; are there underlying questions that haven't surfaced yet; where is this likely headed?), there is another portion for which an atomistic approach will not work.

It is the gestalt ability to absorb the whole of the meeting and have the essential patterns emerge when concentrating with a soft focus. Just as with Magic Eye graphics, the patterns can pop out of the fog in a blink. The trick is learning the art of the soft focus, where you let all of the data wash over you and resist the temptation to lock onto any one thing.

As a teacher, it's exciting to watch the students develop over the course of the two-year training, where there's a steady progression in relation to their ability to approach what I can do—all the way from awe to aw, shucks:

o Awe (I have no idea how you did that)
o Inkling (I knew something needed to happen but I had no clue what)
o Fuzzy (I had a general idea about what was needed but couldn't articulate it clearly)
o Slow (I got the same inspiration, but not as quickly)
o Aw, shucks (I could have done that!)

My dream is a world where my insights are aw, shucks all the time; where my eye is no more magic than anyone else's.

Sunday, September 20, 2009

When to Reass

Yesterday afternoon I witnessed a facilitator bring a group back from a break and moon everyone in the first 60 seconds. I'd never seen that before.

I'm working with a group this weekend where the prime directive is for me to coach their facilitators as the community tackles tough issues around refining how they practice consensus and making decisions about the next residence to construct. We have 11 hours of plenaries lined up accomplish as much as possible inside of 42 hours, and that's providing 8-9 members of the group the opportunity to take a turn at the wheel under my tutelage.

As a teacher, this is facilitation improv, and one of the most fun things I do. There isn't much I can prepare for; mostly I just teach the moment, which includes stepping in to offer a redirection or summary while the meeting in progress; conferring with the facilitator(s) on break to help them road map the next sequence of focus; and meeting with folks outside of session to discuss facilitation—all of which takes place in the highly caffeinated world of process junkies, where people meet immediately before and after each meeting to discuss the meeting.

On the front end, I orchestrate the prep: we go over the objectives, identify a productive sequence of engagement, discuss format options, and anticipate potential potholes on the road to success. Afterward we repair to a quiet corner to debrief what happened: we explore confusing moments, celebrate effective choices, and walk through how to handle awkward moments differently the next time around.

When you're addicted to good process, like I am, it's hard to imagine a better life. I'm in meetings all day (I'm composing this blog before dawn, because when the sun comes up I'm in a meeting), I get to teach people who really care about what I'm good at, there's strong coffee (with half-and-half) available all day long, everyone is laughing a lot, we're accomplishing real work, there's excellent beer at the end of the day, and I get paid to do this. How good can it get?

The best laid schemes o' mice an' men
gang aft agley —Robert Burns

Getting back to yesterday's meeting, I was observing the final plenary of the day, sitting right next to the flip chart easel. During a break, I had worked intensively with the two guys tag-teaming the facilitation to tease out the nuggets from 40 minutes of small group deliberations and determine possible ways to focus the final 30 minutes of the day—where the emphasis was on ending with as much solid product as we could gather. It was the fourth quarter, and we needed a touchdown. It was an animated 15-minute huddle (while everyone else was stretching, going to the bathroom, getting a cup of coffee, or all three), and my position was roughly analogous to a football coach drawing up a new play for the team on the back of a napkin during the final timeout.

As we were running a little late (the 10-minute break had stretched to 22) one of the two quarterbacks hastily scribbled the revised agenda on the flip chart and called everyone back to their seats. From my sight lines, I couldn't read what had actually been written on paper, but I knew were in trouble when one woman joked that "She was OK with the plan generally, but wanted no part of being "reassed"; she was fine with the one she had."

This comment immediately drew attention to the author's half-assed attempt at spelling, where the term "reassess" was missing its final "s." In the midst of this rising tide of ribald back door jocularity, the facilitator decided,
wisely in my opinion, to ride the wave (rather than buck it) and the next thing I knew he had his pants down and was bending over to demonstrate how "reassing" was actually done. This did a marvelous job of unifying the energy in the room, though not necessarily on the topic of construction.

After a minute of silence, everyone was able to resume a normal heart rate, as well as proper meeting decorum. The final 30 minutes was satisfyingly productive, and a valuable lesson was learned: i
n the heat of the moment, sloppy spelling can sometimes bite you in the assessment.